The BeatMakersFest aims to promote the art of Hip-Hop musical composition and brings to surface the organic hidden talent throughout the region. Now is the time to submit your music to participate in the festival’s live battles.
Triggs shares “Lit” his first offering of music this year, via Doggystyle South. Following a string of successful singles in 2018 Triggs welcomes you into his world, filled with the finest designer threads, the hottest selection of baddies, drop-top cars, jewel-studded watches, and more money than you can count.
Triggs (@officialtriggs) signed to Rap Icon Snoop Doggs’ (@snoopdogg) label imprint Doggystyle South (@doggystylerecordssouth). Releasing his first summer anthem “Lit” Triggs is demonstrating his own star power balancing acting, songwriting and recording daily in the studio to his developing resume. Also prepping to hit the road with Snoop Dogg this summer 2019, Triggs is excited to take stage and captivate audiences and fans alike.
Triggs trades bars for hooks seamlessly with ease on topics of women, love, life, cars, clothes and foes. Triggs penchant for melodies are versatile, and all around dexterous. Lending into his other formidable strengths his smart, flex heavy, lyrics over sometimes self produced beats will always bring feel good vibes to listeners.
New York, NY, March 8, 2019
It’s 2019 and hip-hop is still going strong. Women are making strides in society, culture and justice. As we celebrate Women’s History Month, one must ask the question who are the women on the minds of today’s hip-hop fans?
Nicki Minaj, Cardi B, Remy Ma, the incomparable Roxanne Shante just to name a few - women are ingrained in hip hop, but never leading the conversation! Starting with DJ Kool Herc’s sister Cindy Campbell’s back to school party in their Bronx apartment building community center, women have been there since the birth of hip hop. Now is the time to hear what the ladies have to say!
‘Poppin Off Pink’ is a woman-led podcast created by Hip Hop Scriptures founder “Chi Chi” Lewis, providing women’s perspective on all things hip-hop, “I thought it was finally time for us to lead the conversation about women in hip-hop”. Hip hop commentary is dominated by men in the industry and the Poppin Off Pink podcast gives women a much-needed platform to share the unique female perspective on the industry’s latest issues, news and trends. Kimber Erskine also cohosts this groundbreaking podcast and is known throughout NYC for her visual artistry and media personality.
Cohosts Chi Chi and Kimber discuss women’s place in hip-hop’s past, present and future along with current events and pop culture. Their chemistry and comedy is undeniable, as they dissect everything from Black women’s images in the media to Pam Grier’s influence on female emcees. You can watch their live show on YouTube, listen to the Black Futurism episode featuring Professor Brandon Alexander Williams or tune in to their latest virtual slumber party to fully appreciate the range of topics, creativity and depth that this show is bringing to the culture.
DADDY-O and DNA: Two of Rap and Hip Hop's Golden Era Pioneers are Joining Forces on Radio Special Guest: The Great Legendary Chuck D of Public Enemy. Legendary Rap Artist Daddy-O of Stetsasonic will be Hosting "True School Talk,” on his New Radio Show and Podcast on www.DNAradio.net "The #1 Internet Radio Station in the World.” DNAradio.net, was Founded and Created by Legendary Radio and Music Biz Executive DNA, of the World Famous "DNA-Hank Love Radio Show”, (formerly on WNWK/WHBI). It is also where DNA founded DNA International Records, distributed by (Elektra Records/Warner Music Group), where he discovered Artists such as: Super Lover Cee and Casanova Rud, Joeski Love, Kool Keith and Ultra Magnetic MC’s, Poetic of (GraveDiggaz), Black Moon and DJ Kev-E-Kev (Formerly on WBLS), just to name a few of DNA’s career-long accomplishments. Daddy-O's Show "True School Talk" premieres on Friday June 29, 2018 at 7:30pm (US, ET). It will be air worldwide every Wednesday, Friday and Saturday at 7:30pm (US, ET). The show repeats each night at 12:00am/midnight (US, ET). Our 24-7 Podcast via Mixcloud is readily available for archived shows on www.DNAradio.net Daddy-O, Co-Producer and Host of "True School Talk” will be holding court, interviewing and having "Real Inside, Music Industry Talk" and candid conversations with Top Rap and Hip-Hop Legends in the game, such as Artists and Executives. The first Super Star interview/conversation will be with the Iconic Chuck D of Public Enemy. The new radio show and podcast will be streaming on www.DNAradio.net DNAradio.net, is a Free, worldwide, 24-7 Internet Radio Station, streaming a variety of Live shows online. Our daily curated playlist is an illustrious mix of Classic Pioneers, Today’s Top Stars, Unsigned and Underground Artists. DNAradio.net Musical Playlist consists of 70% Rap/Hip-Hop, 25% R&B, and 5% Pop. Our weekly programing also includes diverse and thought-provoking Talk shows. Additionally, Sunday is dedicated to Gospel Music with Live Programs and Ministries. Be Sure to Listen All Day / Every day to www.DNAradio.net
I want to make music that motivates people. I want to make them feel how powerful they are, make them want to level up in life, and remind them that they have the power to do so.
There were so many moments to cheer for in the Black Panther film. A happy surprise was that we have multiple heroes and sheroes that we see ourselves in as well
Let’s talk entertainment. When was the last time you watched a show or listened to something you really felt connected to? Look, I know it’s easy to fall into line with what everyone is talking about or what you see on those not so random Facebook ads but it’s 2018 and it’s been time to change it up. Say hello to The Indie Creative Network (ICN). The digital platform triple-threat stacked with content, a voice and a mission, to show the world that indie creators are here with stories to tell and a fresh point of view that they’re bold enough to share. With Wize Grazette, self-proclaimed indie creator and social entrepreneur, at the forefront ICN is making waves that you’re going to want to ride.
When I was given the opportunity to interview Wize the first thing I did was check out ICN’s website. Once you click on ICN’s website you’re greeted with a clean home screen with three words in all caps: listen, watch, share - three choices that lead you to entire libraries of digital content. All created by diverse voices from around the world. Aimed at the millennial minds and creatives of today. From the Desi Queens behind the Chai Tea Party podcast giving their take on being an Indian woman in America, to the cool Colour Out The Box podcast driven by two Nigerian Women of color in London who showcase their distinctive point of view aiming to inspire and inform their listeners with satire and wit. The sheer amount of content alone is impressive and no two things are the same, and get this it doesn’t stop there. If you’re looking for another show to add to your watchlist, put ICN on your radar. Showcasing Podcasts and Web Series from indie artists, ICN is lifting underground names into the spotlight, and they are good.
With access to a list of series from indie producers like Losing Patience or #BestTweetEver along with numerous others you’ve found yourself a new binge watching candidate.
All of this awesomeness doesn’t just happen. It takes work, experience, and drive to bring something like ICN to the masses. And I would say Wize Grazette, the Owner and Creative Director of ICN, embodies each of those things. Gaining speed from his degree in Web m/ Management and Internet Commerce Wize took his knowledge to his roots, Barbados. As a first generation Bajan-American Wize took the chance to share his talents there, working as a web developer at a digital agency for almost two years. He describes this experience as his first jump into the tech/media industry. He goes on to say, “Taking experiences you get from your previous employers helps a lot. I’ve worked in Corporate America, and both Tech & Marketing industries. I pull from my experience in those industries everyday as an entrepreneur.” It’s true, Wize has covered a lot of ground in what seems like a short amount of time, but with his passion about Digital Media and his community as his driving force, his success is not a surprise.
When I asked him about what brought about his idea for The Indie Creative Network he had this to say: “I wanted to build a community of podcasters like mine. I’m a storyteller. My idea of the network itself is to present a story crafted by all of the unique voices on ICN.” As a former podcaster of his own show, The Encore Radio Show, from 2013-2017, Wize noticed the lack of diversity in the current podcast market and saw an opportunity to make a difference. Using his expertise in web development along with his experience podcasting he took a chance and ventured out to start ICN from the ground up. Wize calls his support system his tribe. What he realized when it got down to it was that his tribe was made up of indie creatives that deserved a chance to be heard. Once he got it started, word of mouth did the rest and ICN was born with a podcast. The digital platform Wize developed has given those who have found their voice an opportunity to share that with an audience and not only does that audience keep coming back, it’s growing. Podcast Co-Working space #ICNStudios in Brooklyn provides a variety of services and resources for local and remote Podcasts and Web Series. Wize calls every artist on ICN a leader: “These are leaders who may not have been groomed to be leaders in the traditional sense. [But] they have leadership skills and they’ve used those skills to speak.”
ICN is not just about entertainment. It’s about community, inspiration, and creativity. It started out as a platform with thirteen podcasts and has grown into a distributive hub of diverse, encouraging faces and voices. Creatives brought together by voicing their unique points of view, spreading a message to their audiences to let them know they are not alone. When I asked Wize where he sees ICN in the future he says, “I think of us as NPR - Public Radio on a global scale, representing a catalog of content from people of color around the world, who accurately provide a narrative for where they are in their lives. No one can do it but them.” There’s no limit to the impact ICN could make on the creative community and the general masses alike. With over 100 thousand regular listeners and a multitude of Global Talk and Music channels ICN is gaining global recognition. And that’s no exaggeration; with shows from multiple countries including India, South Africa and the U.K. it’s no wonder. So do yourself a favor and get into ICN whether you’re a listener or an artist. As part of the audience your options are endless and as a creator you’re setting yourself up for success. You can consider me hooked.
We decided to share what we have to look forward to in 2018. Get ready, get excited and get inspired!
We may have access to more information than ever before, but we are still a society, by and large, inundated by rules and living in fear. Cardi B has created her own lane. She is not concerned with rules of what you may consider "proper". She does what she wants, says what she wants, and gets what she wants! How many of us can say the same? Most of us are going to school or to jobs that dictate our daily schedule. Where we must follow a code of behavior, dress and speech that may not jive with who we truly are inside. This is why Cardi B has an entire segment of fans rooting for her who don't even listen to her music! Anxious teens concerned about their futures and adults clinging to a past where job security was a given, look to entertainment as an outlet. In this world of perfect headshots, scripted messaging and beauty standards that seem way out of reach, it's completely refreshing to witness Cardi's meteoric rise. She has successfully made a lane for herself in social media, reality television, hip-hop, scripted television, beauty & fashion! She has done so, by being her AUTHENTIC SELF. You may not be a fan, but you gotta admire her courage and her hustle. RESPECT.
But on 'Kill Jay Z' he comes for Kanye. On a record where he supposedly talks about killing his own ego, that same ego powers his poetic jabs at his former right hand man
The Underground Railroad was a network of secret routes and safe houses established in the United States, and used by African-American slaves to escape into freedom. It was a way to communicate without being detected. Hip-hop has carried on this tradition via using symbolism and subliminals in rhyme.
We should be proud to acknowledge today's hip-hop artists including Chance The Rapper, Metro Boomin and recently in the news, Nicki Minaj and Jay Z have all donated their own money towards helping others achieve educational excellence. Let's take a look at some of hip hop's finest brainiacs.
Here are a few of the most intelligent hip hop artists you have to know in order to get a better understanding of the vast and complex history of hip hop.
From Ice Cube all the way to Chubb Rock these artists have displayed not only their musical talents, but their intellectual capabilities as well.
- As Ice Cube saw more of his friends get killed or sent to jail, Cube became determined to create a better life for himself. After high school, he enrolled at the Phoenix Institute of Technology, where he earned a two-year degree in drafting in 1988.
- Rah Digga was born in New Jersey, and went to study electrical engineering at the New Jersey Institute of Technology after scoring 1300 [out of 1600] on the SATs.
- Despite disapproval from his friends, Ice-T managed to graduate from high school with good grades. Turning normal teenage delinquency on its head, he later admitted to "acting like I was ditching class when I was really ditching my friends so I could slip back to school."
- RZA’s second well-known hobby is chess, and he is a Director of Development and champion of the Hip-Hop Chess Federation.
Kendrick Lamar's album 'DAMN' is a book of revelations. While it's packaged as revelations about the artist known as Kendrick Lamar, it's actually overwhelmingly a collection of revelations about African Americans, these United States, and society-at-large. What follows is a track by track breakdown:
- BLOOD. - Intro/interlude of poetry spoken word tells story of a blind woman whom [presumably] Kendrick approaches to ask if she needs help & she turns her gun on him and shoots to kill. The track ends with a very telling Fox News audio clip.
- DNA. - Here he invokes the name of Yashua and the belief that African Americans are the original, true Israelites. He educates you on all of the things inherently present in his DNA. "I got soldier's DNA". He also refers to himself as an antisocial extrovert while growling "My DNA not for imitation. Your DNA's an abomination." While cultural appropriation has been a hot button issue for YEARS now on social media, the collective of well known rappers has typically turned a blind eye in favor of their brand and music sales. TI's defense of Australian born rapper Iggy Azalea comes to mind, which is really interesting when you take into account that Kendrick came to her defense as well. DNA's infectious instrumentals almost overshadows the brilliant lyrics at play. Kendrick warns of "tenets on the way" if you look up in the sky and growls "I don't compromise. I just penetrate."
- YAH. - the supreme creator, God, Yah, the universe...however you prefer to acknowledge your maker, Kendrick wants you to know that following your intuition is a must. Once again he mentions being an Israelite and even requests "...don't call me Black no mo'." He quotes Deuteronomy but also cautions that it ain't about religion.
- ELEMENT. - here, we are introduced to "Kung Fu Kenny" and I'm immediately reminded that Kendrick is from Compton!! As I turn the volume to the max and hear "I don't give a f*ck". Our conscious warrior is back and wants you to know "I will die for this shit" ala Tupac. He even jokes about faking his death and going to Cuba. But don't worry because he's gonna "make it look sexy". The screw music style at the end of the track makes one wonder if he's directing his lyrics at Drake.
- FEEL. - my first impression is that this music is psychedelic/trippy in nature. That's not a knock because I'm curious where the journey will lead! Here, we are introduced to Kdot's feelings of frustration with himself, his friends & the world at large. "Feel like removing myself ain't no feelings involved...since nobody praying for me." We've all been there haven't we? Not feeling like our best selves, having a moment of self pity and wondering where our friends are in our time of neediness and if anyone really cares at all! This track is an emotional journey of highs and lows, bravado, machismo, disconnection and ultimately, STRENGTH.
- LOYALTY. (feat. Rihanna) - definitely a chill vibe; a bit of flirtation. Loyalty is described as a "secret society", no switching sides. Rihanna & Kdot take turns asking the question "Tell me who you're loyal to" be it money, food, weed, drank, your family or your friends. Will most definitely be on the radio and in heavy rotation this summer.
- PRIDE. - more reflective sonics as he questions the choice between "happiness or flashiness". He cautions us not to take our respective pride too far. In this age of flexing our curated lives on the gram we are reminded the damage it does to the greater good. But don't worry Twitter, the line "I can't fake humble just cuz your ass is insecure" is just for you!
- HUMBLE. - the track that jumpstarted the anticipation for the rest of the album. This song is truly an oxymoron about Kdot's ability to humble OTHERS. And folks wasted no time in posting the oft repeated refrain "Be humble. (Bitch) sit down." Blog posts exploded to debate the meaning of ditching photoshop for an "ass with some stretchmarks" and the contradictions of the male species' voicing a preference for au naturale but constantly clamoring for the prize also known as a 'bad bitch' who's accessories may/may not include cosmetic surgery, hair extensions & a face full of makeup. That aside, 'HUMBLE' is Kendrick's reminder that it's levels to this shit, and his competitors ain't there yet.
- LUST. - we are initially confronted with a metaphor of the physical manifestation of a man's erection (blood rush, heart racing) as Kdot croons "Let me put the head in". But this song isn't about sex, not exactly. All of the things we and the male/female characters in the song lust for - sexual prowess, money, looks, danger keep us from doing good and making a difference. Keep listening and you'll recognize the recap of the energy post the 2016 presidential election & how the disappointment of so many swiftly dissipated as the collective became easily distracted by their lust for all things superficial.
- LOVE. (feat. Zacari) - you WILL be singing this in the shower! Hearing that sweet confirmation: "I wanna be with you" is Kendrick's spin on the spirit of Motown's classic love songs. Get ready to hear this at weddings for the next 24 months and beyond. So many "If I...would you still love me?" moments to choose from.
- XXX. - speaking directly to America. Not the people of America, but the entity. Kdot plainly lays out on the table disparities in quality of life, education and opportunities. And for those still tone deaf enough to continue equating death at the hands of police brutality with civilian on civilian crime that happen to be Black, he lets you know "Ain't no Black power when your baby killed by a coward." We end on a note that accurately describes how violence doesn't discriminate against social class, race or pedigree. From Compton to Wall Street to yes, our very own Oval Office.
- FEAR. - the longest track on the album at 7 minutes and 40 seconds, it's also the most complex and thought provoking. Especially if you happened to grow up in a household that infused fear in an effort to make you act right and behave. You're reminded of all the threats of an ass whooping for everything from jumping on the couch, losing a fight at school, not finishing dinner, your homework, etc. This is the first seed where fear continues to grow within your heart. And Kendrick allows his vulnerability here to let us into all of the dark corners of his personal fears: losing wealth, losing love, walking home in the wrong gang territory, the police and ultimately, fear of judgment.
- GOD. - it's not what you think. Actually it's more reminiscent of Kanye West's infamous 'I Am A God'. Kendrick is expressing his celebration of arrogance and ponders that "this what God feel like." Kinda like how all men feel fresh out of the barber's chair.
- DUCKWORTH. - as stated at the beginning of this album review, 'DAMN' has proved to be a a book of revelations of sorts. Kendrick Lamar saved the best (and most personal) revelation for last. Without giving too much away, I'll tell you that 'Duckworth' tells the hard to believe (but confirmed as true) story of Top Dawg founder Anthony Tiffith crossing paths with Kendrick's own father "Ducky" on the streets of Compton, and how if things had ended differently, we wouldn't have the pleasure of Kendrick Lamar Duckworth's dynamic artistry to behold.
This album will be in rotation for years to come - A CLASSIC.
by Staff Writer Nunneh Nimley
If there was ever a time we needed 2Pac it would be now. Not that the community is worse today than it was in the early 90s, with crack cocaine and 12 consecutive years of a republican in the White House. It's much deeper than that, there was something that Pac offered that we haven't seen since. Not only did he have the power and influence to sell millions of units, his way of thinking, ideology, attitude and fearlessness absolutely scared the shit out of white America. That's what hip-hop and black America has been missing since September 13th of 1996.
As it's been said time and time again, Pac was more than just a rapper. It could be argued that he was the most important person of the last 50 years. I don't know anyone I could even put in that category with him. Who else had the power to mobilize those in the streets, suburbs, prisons, music consumers? At the same time having his named mentioned not only in the halls of congress but by former Vice-President Dan Quayle, all before the age of 25.
Today marks the 19th anniversary of his untimely death, but his words and songs are just as relevant today as they've ever been. As you heard on Kendrick Lamar's "Mortal Man" ('To Pimp A Butterfly') it's almost as if Pac was talking about Baltimore. The album was released almost 6 weeks before Freddie Gray's death while in the custody of the Baltimore police, but the audio is over 20 years old. While many artists pray for their music to be seen as "timeless", Pac's thoughts have proven to be just that.
Before #BlackLivesMatter was the "in" thing, Pac questioned aggressive policing by simply stating, "can't make a black life/ don't take a black life". His message is almost inescapable. Content wise, 'Strictly For My N.I.G.G.A.Z." sounds as if it could've been recorded a week ago. Whether it's "Holler If You Hear Me", which plays like a war call for those on the street to rally against those who threaten our well being as people of color. Or "Last Wordz" which features the aforementioned lyrics, he also takes time to inform blacks and Mexicans that we need to be working together and not against one another. Is that not relevant to the many murders that have occurred between black and brown in the past 15 years in Southern California. And of course you have "Keep Ya Head Up", which to this day may be the best dedication track to black women. Reality never goes out style. The truth doesn't change, and that's what Pac's catalogue has working in its favor.
Every few generations we get a culture transcending prophet of sorts, all signs point to Pac as being ours. True he had his shortcomings, but what great man or woman didn't. His many mistakes played out in the public, but where the media tried to demonize him, it only made him that much more lovable. He was experiencing everything those he spoke to/for were going through from being in and out of courtrooms, jail cells, and emergency rooms. The human side of Pac is what he'll be remembered by most. Physically 2Pac doesn't have to be here for his words to serve as life lessons, prophecy never gets old, it gets better.
Hip hop is a young man's sport, if anyone should know that it should be Mel, Moe Dee and Caz. Moe Dee made his name by pulling the exact same card on Busy Bee, in one of the cultures first legendary battle. While Mel was on the wrong side when a then unknown KRS One challenged him in the mid 80s. It's simply the evolution of the art form, while they may need to know who these 3 legends are, the average 20 something year old could care less. That's not anyone's fault per se, so no one should be pointing fingers.
The anger and frustrations of the community were put on display for the world to see, stores were burned and looted. While it was nowhere near the magnitude of LA, it was a reminder to America that you can only push a community so hard for so long until eventually they push back. All news media directed their efforts towards the happenings of Baltimore, and as fate would have it, all of these events occurred within days of the 23 year anniversary of the Los Angeles uprising. Maybe it’s a sign of things to come, or maybe its just a coincidence.
If there’s anyone that ever wants to understand the state of mind of those during a revolt such as the one witnessed in LA some 23 years ago, ’The Predator’ may be the best depiction. The anger is evident, as is the cry for help. Neglect of entire city neighborhoods creates the attitude in which Cube posses throughout the album.
For years before the Rodney King beating, hip hop had been talking about the way young black males were being mistreated by the police departments in their neighborhoods. With the exception of the fans of the art, and those living in those communities, their cries were widely ignored. The most well known track about the relationship, N.W.A.’s “Fuck The Police”, got the attention of the federal government who would send a cease and desist letter to the groups' record label. The news of this only made the group more popular, and to make matters worse, their music was becoming more and more popular in the suburbs.
At the same time another group of citizens headed to the LAPD head quarters downtown. What ensued is something out of movies, officers rallied inside, but were clearly outnumbred. As rocks, and garbage cans begin to fly in the direction of the plated glass windows that extended throughout the exterior of the buildings structure. Residents wanted answers, and if they would not be given, it could gladly be taken in blood.